Thursday, December 19, 2024

Opinion: The Concrit Problem in EGL

 Alternately, this post could be called "2010's sweet and its consequences." 

I wear (primarily) Old School Lolita, but I didn't always. When I started buying and wearing lolita for myself, I kind of felt like you absolutely had to buy printed dresses and build your coords with colors pulled from prints, which was... not true, very silly, and ended with me feeling uncomfortable and stepping away from the fashion for a bit. Those pieces are now sold, but the coord photos in my phone haunt me. 

This was actually the photo that inspired my recent choppy brown haircut! 

I got into Old School mostly because I was influenced by a friend (whose site I will link here) who was also effectively starting over in EGL at the time. I think it's a style that's a lot more comfortable for daily wear, and also is more in line with what made me fall in love with the fashion over a decade ago: black and white, simple patterns, clunky shoes, too much lace, and a general sort of frumpy/disheveled look. I'm extremely interested in fashion history and print media, so I was already collecting old GLBs and street snap magazines. It felt like a very natural transition! 

My first time trying semi-Old School styling in October last year, I sold that Baby cutsew because it was tight but I kind of regret it tbh 

"Old School" in lolita fashion typically refers to the time period between 2000 and 2008 (roughly), with a lot of coords from the 90's being referred to as "proto lolita." Cynical Neo Princessism (Ophelia, every Old Schooler's idol) has an incredible and well-researched timeline of lolita fashion, linked here, that gives a more complete idea of this time period. But this all brings me to what I wanted to talk about today: 2010's sweet lolita, and how it basically ruined concrit culture. 

Old School coords from the Phaidon book Fresh Fruits (photo originally in Fruits magazine by Shoichi Aoki)

2010's sweet refers to the era when brands started releasing printed dresses, specifically dresses with original art as border prints. Angelic Pretty, a brand that pre-2010 was often doing a lot of the same florals and solid colored pieces as Baby or Meta, became the "pastel unicorn explosion" brand. Prints like Sugary Carnival and Milky Planet are synonymous with this era, and also helped brands effectively copyright their designs (something very tricky to do in fashion). You can't slap a copyright on a dress cut, but you can pretty reliably copyright art prints in a fabric (though unfortunately, I feel like replicas were even more common during this era). 

Photo of a 2010's sweet coord from Japan Fashion Now 

This was also when the "rules" in the Western lolita comm were more firmly cemented (not to say they didn't exist before): your coord needed to consist of wrist cuffs, a printed JSK, a blouse that matches a color in the print, a headpiece, matching OTKs, the biggest petticoat you can find, at least one piece of matching jewelry, and tea party shoes. If you didn't have all of those elements, whoops, go back and try again, do not pass go, do not collect $200. These "rules" were disseminated mostly to stop EGL from getting lost in the melting pot of Hot Topic-driven subcultural soup that was 2000's alt fashion, and to help newer people learn to coordinate as lolita became more popular, but they persist today (sometimes to the detriment of the community). 

Because the pendulum always swings back eventually, we're definitely seeing Old School styling have its "boom" again (or at least becoming more popular). However, I think this is leading to a weird issue: concrit given on Old School coordinates is just not helpful or effective. Our community got so used to the 2010's coord building "rules" that when an Old School coord is posted in spaces that offer concrit, the poster gets 2010's sweet-centric advice. Those suggestions might be great for someone who is actively wearing 2010's sweet, but a lot of them just don't hold water for Old School coords. 

The most common one I see is shoe-based; a lot of 2010's sweet coords emphasized owning tea parties in every color way, usually contrasting the socks but matching with a color in the dress. Old School styling definitely has a more "make do" attitude towards shoes, and a lot of the time, shoes will blend in with the color of the legwear! 

Sometimes, though, shoes will contrast with the legwear in a way that isn't cohesive with the rest of the coord, like brown or black shoes in a sweet coord with no other browns or blacks.

I also see concrit given based on accessories, mostly wrist cuffs. While they did absolutely exist, wrist cuffs weren't as ''mandatory" as they are now, and could easily be swapped for a bracelet (as opposed to worn WITH multiple bracelets). Accessorizing was usually simpler, and sometimes headdresses were even forsaken in favor of a simple hairstyle. 

I don't want this post to come off as if Old School styling is beyond concrit, because it absolutely isn't. Concrit has helped me so much in terms of stylistic growth, and to be honest, sometimes we all need a friend to say "hey, I know what you're going for, but this part isn't working." I think it's important that, when you're giving Old School concrit, you're at least familiar with the era. I'm actually going to use a coord of mine from July of this year as an example, because I don't want to give concrit on a totally random person.

Overall, this wasn't a bad coord at all, and I do like it. I just wore it to a wrestling show, so it's not like I was going to a lolita-centric event. Looking back on it, however, I have some things I'd want to change. If I were to give Old School-centric concrit to myself on this coord (assuming I was talking to someone else and this wasn't a photo of me haha) I would say: 

"I like the blouse and headpiece with the JSK, but the socks and wrist cuffs feel out of place. I would swap the striped socks for something like Meta's black and white raschel lace OTKs, because the stripes make the coord feel very sweet. You could try white peeking bloomers with this too, since the black blends in to your JSK. I might also switch out the tulle Moitie wrist cuffs for plain black or plain white, maybe in a cotton lace? The boots are cute, but I'd also like to see this coord with black mary janes or RHS too!"

 I typically do the compliment sandwich method, or at least begin with a compliment and then a nicely worded suggestion, which is what I learned to do in college writing classes. 

The goal of concrit should not be to insult someone, tear them down, or totally remake their coord; you're simply making suggestions on how they could style differently or change an aspect of their coordinate to better achieve THEIR desired look. You're not giving concrit based on your style, you're giving concrit to help them achieve the best version of their style, which I personally believe makes "rules"-centered concrit ineffective. It can also stifle creativity and discourage experimentation if everyone gives the exact same advice. The best way to find your style within lolita is to mess around with your wardrobe and figure out what makes you feel comfortable, and it's hard to do that when you feel like every outfit has to check boxes! 

These are your clothes, and not every outfit you wear is going to be the most groundbreaking and perfect lolita coordinate ever. Just like any other style, you're going to have days where you can't make it work, and times when you wear something questionable and wonder what the hell you were thinking when you see photos of yourself later. For example: it was summer, but WHY did I wear UTKs with such a short skirt? It just looks so odd! Put those knees away! (No, I still haven't repaired the worn-out back elastics in that dress, I've just been lacing it tighter to prevent The Wrinkles that you see in this pic).

Your clothes are meant to be worn, and you should wear them how you feel comfortable. You can 100% wear lolita clothes without trying to build a lolita coord or calling it lolita fashion, which can be a very fun and freeing way to experiment with your style. You don't have to put yourself into the lolita box all the time, you are not the sole representative of how to wear EGL and you don't owe anyone a perfect representation 24/7. Have fun expressing yourself, don't be afraid to ask for concrit and advice, and be respectful when you give said concrit. 

Also, most importantly: don't ever show your kneecaps. Ever.  

(Your kneecaps are fine, that was a joke, Misako is not coming for you). 

Review: Shiki and the Horror of Small Towns

It ended, as all good stories and kept secrets do, with a fire.


  The 2010's anime Shiki proves that, no matter where you are in the world, small towns are (mostly) the same; despite being set in rural Japan, the village of Sotoba could be exchanged for any number of rural towns across America. There's a hospital, a local farming industry, gossiping old people, and not much else. 

Except for the vampires. Those are there, too. 

I just finished a rewatch of the series after trawling the internet for it (I originally watched it on Hulu, but it's been taken down from all streaming services), and I wanted to take another look at the morality and horror of Shiki. In a way, I would consider this series a better take on 'Salem's Lot by Stephen King; I think it does the "isolated village infested with vampires" thing in a more interesting way, by playing up the horror of humanity more so than the supernatural. I also think Shiki does a good job of not spoon feeding morality, and gives you reasons to sympathize with every character (human or otherwise).

Sotoba is a small farming village, and its main industry is growing the trees that become grave markers. When a new family moves in to the English-style manor above the town, villagers start dropping like flies from an epidemic nobody can identify (spoiler: it's vampires). But the most terrifying aspect of Shiki is not the fanged creatures that lurk in the darkness; the true horror comes from the maelstrom of tradition, insularity, superstition and guilt that haunts every small community.

In Shiki, the vampires very clearly represent a cultural Other to the citizens of Sotoba. The Kirishiki family wears flashy clothes, live in an ostentatious house, and ignore the traditions of the village. This introduces us to the fragile ideal of normality in Sotoba. Once their way of life is even slightly disrupted by something culturally abnormal, the villagers see a slippery slope and grab a sled. This story is very similar to my other favorite novel-turned-anime, Another by Yukito Ayatsuji. Both series operate on subverting the Japanese cultural ideal of the group being more powerful than the individual, showing how quickly following the will of the group can turn nasty, exclusionary, and even violent. 

Toshio, the village doctor, calls to mind a slightly more purposeful Light Yagami. Given the task of carrying on his family name and becoming a doctor, and constantly watched over by his domineering mother (even as a grown man), Toshio is under so much pressure that the discovery of the nominal shiki (literally "corpse demon") in Sotoba is all it takes to send him fully over the edge. Early in the series we see him in furious denial as his childhood friend, the junior monk/author Seishin who has befriended the vampire Sunako Kirishiki, warns him that death records are being tampered with. However, as soon as Toshio's estranged wife rises as a shiki, he wastes no time experimenting on (and eventually killing) her. Now fully convinced, Toshio fans the flames of hysteria in the village, killing Chizuru Kirishiki in front of the villagers to prove the existence of shiki and encouraging a mass slaughter that (surprise) gets completely out of hand. 

In my mind, if there really is a villain in this series, it's Toshio. A key aspect of the story is choice and intent; Seishin feels trapped in his role as a monk, Toshio feels trapped in his role as a doctor, the shiki are forced to drink blood, everyone is stuck in a small town with no economic hopes of getting out. One point emphasized over and over is that killing is only murder if there is intent behind it, something that Sunako Kirishiki agonizes over when reflecting on the human lives she has taken in order to live. 

This is all to say that, despite these obligations, everyone in the series has the ability to make their own choices. Almost every single choice Toshio makes is needlessly violent, cruel, and destructive, from experimenting on his undead wife, to her eventual murder, to masterminding the slaughter of innocent villagers. His intent was behind every single one is these actions, but he acts morally justified even as he and some survivors drive off into the night at the end of the series. 

On the topic of choice, we see vampires who abstain from drinking blood even as it slowly kills them, humans siding with the vampires, and both being called traitors to their respective causes. It's essentially an exaggerated version of the "us vs. them" politics we see in real-life small towns, where you're expected to keep to your own kind and shamed for breaking the mold. Toshio says the quiet part out loud and incites violence against the shiki, urging the townsfolk to drive them out. This culminates in one of the first shiki to be turned, a girl named Megumi, begging the townspeople to remember who she was and let her go so she can see the big city... as they bludgeon her and eventually crush her skull with a tractor. It's a harrowing moment that, if you were still siding with the townspeople, really makes you question your allegiance to the human race. 

The shiki's ultimate goal is to turn Sotoba into a town full of the undead, but not for nefarious purposes. Over and over, the original vampires of the Kirishiki family state that they just want a place where they can be normal. Chizuru talks about wanting to go out shopping and talk with friends, and the newly-turned shiki enjoy things like mundane office culture or idle chats in the street. Two undead teenagers congratulate an older woman on her husband "rising" to join her, saying how happy they are for the couple as they move to sink their teeth into a human's neck. Sunako Kirishiki recounts her life as a vampire, and cries over her desire to live and be a normal young girl as the townspeople ransack her home. 

Shiki turns monsters into humans, and makes its human characters into monsters. It turns a small town that is figuratively cut off from the world into one that is literally cut off and cannot be escaped. It explores the horror of boundaries, guilt, and isolation by using vampires as kindling to fan the simmering flames of resentment and doubt. It's a truly fantastic anime that has basically been scrubbed from the annals of 2010's anime history, remembered only by those who watched it and those who can dredge it up from the bowels of the internet.

 I'm not advocating for piracy, but I am saying that it's available on YouTube as of now, and you can get through the whole series in about three days. The manga can also be read online, wherever you read your manga scan-lations, and the art is that much creepier when rendered in black and white. Whichever medium you choose, I really hope you enjoy it. 

Monday, December 16, 2024

Outfits: Fresh (h.NAOTO) Blood

 If you read my last post, you probably saw that I purchased a long h.NAOTO Blood JSK. Well, it arrived! I shipped a few items from my Neokyo storage, because I had some Christmas presents that I wanted to get shipped and wrapped while I wait for the rest of my order to arrive, and I threw this in to the package as well. 

When it arrived, I noticed two things: it looked fairly small, AND... I could finally read the text printed on the side insert under the sheer panel. 

It's erotica. It is quite literally old-timey erotica. 

I'm not upset at it, really just surprised. I also have a reputation for being a little bit of a prude, so I think it's funny that I ended up with the one-of-a-kind atelier pornography dress. My friends and I all got a good laugh out of it, and the semi-sheer fabric over top makes it so that you can't exactly read what it says (so I won't be scandalizing passers-by). Let this be a lesson to you: next time you're purchasing h.NAOTO, make sure to maybe ask the seller for more print photos so you don't get punked by Secret Bodice Ripper Content.

I was also worried it wasn't going to fit, but another surprise: it fits like a glove! I was shocked at how flattering it is, and that the seams weren't pulling. I turned it inside-out to include some construction photos, because the way this garment is put together is really astounding! The seams are all bias taped with a stiff material, so it almost acts like featherweight boning to give the dress structure. Most of the garment is made out of a thick cotton blend, almost like a suiting material, while the printed insert is a layer of very soft cotton, covered by a semi-opaque mesh and inserted like a gore. As you can see, it has an all-in-one facing around the neck and armholes, with a back zipper and two darts (on in the front and one in the back, both at the waist) to give it shape.  

I was so excited to wear this, I actually put together an outfit with it the next day! I almost wanted to "save" it for an occasion, but what good are clothes if you don't wear them? I paired it with an insanely cool vintage blouse I thrifted, my Vivienne Westwood orb necklace (also a recent purchase), vintage Tattoo platform loafers, and my antique opera ring. 

This is one of my favorite outfits I've worn recently, and it sucks that I only got a mirror photo of it! I also think this outfit could have really benefited from a black beret, I'm not quite sure why I didn't wear mine? I'd like to maybe try styling this blouse and dress together again with a different hairstyle or hair accessories, to give it a little more impact. I also have a 1980's black lace blouse with big crazy sleeves that I'm dying to try with this dress! 

I'm hoping to get better about properly photographing my outfits, but it's a hard habit to get into! So, mirror pictures may have to suffice. 

Thursday, December 5, 2024

Fashion: Adding Some Vampiric Aristocrat Inspo

 Though I've always worn "alternative" fashion, I've never been able to adhere fully to just one style. Fashion is my favorite art form, and I have a hard time sticking to just one thing! I'm also always inspired by the music and media I'm currently consuming, which often leads to me crafting new items and emulating the "vibe." 

In the past, this led to me overhauling my wardrobe multiple times, only to do the same thing again a year or two later. This, obviously, is not a sustainable way to live, even if I thrift everything. It's also wasteful and silly, because who knows what I'm going to be inspired by in the next week or month? 

The solution to this problem is that, now, I have a big and "un-aesthetic" wardrobe full of tons of unique pieces, essentially split into three "capsules": mori kei inspired, visual kei, and lolita. There is, of course, a ton of overlap, and I really enjoy experimenting with combining styles and pieces I wouldn't usually. Rectangle headpieces look good with everything, what can I say?

Lately though, as the weather is cooling off and I'm consuming my favorite genre of comfort media (vampires, 19th-century alternate history and books about circuses) I've been feeling the long skirts, granny boots, velvet, and big fancy collars of one particular style: Elegant Gothic Aristocrat. 

What Is EGA? 

I know, I know. There's sort of a "thing" in J-fashion (or at least, there was in the LiveJournal era) about how you shouldn't use the label EGA for anything that isn't explicitly Moi-Meme-Moitie. But if I'm being honest, if Mana-sama didn't want us using his abbreviations, he shouldn't have made them so dang convenient. It's SO much better to be able to say "EGL" than to explain to a stranger that "lolita" doesn't refer to Nabokov's Novel (I do think we as a community have too strong of a knee-jerk reaction to what is a very nuanced work, but I also understand why). 

EGA, or Elegant Gothic Aristocrat, is essentially the "grown-up" older sibling of Elegant Gothic Lolita fashion (though of course, lolita doesn't have an age limit). The term was coined by Mana, the guitarist for the best band to ever exist (Malice Mizer) and the founder of the clothing brand Moi-Meme-Moitie. While Elegant Gothic Lolita involves shorter/poofier skirts, softer details (rounded collars, ribbon hair accessories, yards of torchon lace) and more of an emphasis on blending "cuteness" with elegance, Elegant Gothic Aristocrat leans heavily into the "wandering a castle with a candelabra" vibe. Longer skirts, corseting, pointed collars, ruffled jabots and even the occasional cape aren't out of place. Shoes are also a key difference: lolita shoes are, in a word, stubby. The typical EGL shoe (at least in my world) has a bubble toe, a slab-like platform, and should contribute to you walking a little bit like a stupid horse. EGA shoes, on the other hand, can trend towards Victorian inspiration with styles like granny boots and lower heels. However, be not deceived, platforms are still essential. Platforms are always essential. 

Why Do I Love It Right Now?

I've recently added a fair amount of h.NAOTO to my wardrobe, specifically the Blood sub-line. I have a utility belt/half-skirt, two cardigans, and a tank top from Blood, and the delicate gothic motifs and layering options have kept them in heavy rotation the past few months. In the winter, my layering options expand drastically, meaning I've been wearing a lot of long skirts, waistcoats, and the amazing black velvet blazer I thrifted this summer. 

My friends and I are also planning our outfits for a Christmas Nosferatu outing, which is giving me extra inspiration and excitement! I love planning outfits with my people, it's almost as fun as the outing itself. 

All of this combined means I've been turning more to Black Peace Now, Atelier Boz, and Moitie Gothic & Lolita Bible shoots for day-to-day outfit inspiration. Wearing longer skirts and layers feels somehow both more casual, but also more work appropriate (even though I work from home). Having physical magazines to look at, especially older ones, also really helps me add some inspiration without feeling like I need to go out and purchase things immediately! Which I'm going to immediately contradict by saying that, as I create more outfits inspired by this style, there are a few things I'd like to add to my wardrobe. 

How Am I Incorporating EGA? 

I'd like to be clear that I'm not setting out to create Perfect and Accurate Best Ever EGA Coords, but just to throw some EGA inspiration into the big chaotic costume closet of my wardrobe. I've divided this into a few categories, consisting of pieces I already own and use, pieces I'd like to purchase in the vein of this style, and pieces I'd like to make for this style. I'm trying to add some photos for interest, but also trying not to overload this section with them! 

Pieces I Already Own 

Tops

Meta Round Collar Cape Blouse (black x white) - My darling, my beauty, my stupidly expensive and impractical shirt. The cape being detachable definitely helped justify this one.

BPN Pointed Collar Blouse (white) - I wear this way too much, and I keep meaning to make a chain to hook between the collar grommets. 

Excentrique Broderie Anglaise Blouse - I LOVE Excentrique. I also have to wear this blouse with the sleeve band unbuttoned so I can bend my elbows. 

h.NAOTO Cross Motif Cami - I am so guilty of slapping this over EVERYTHING. It's just my favorite. 

h.NAOTO cardigan - the little flower lace! The crown button! 


h.NAOTO cardigan - the back of this cardigan is printed with the Latin definition for "devil." It was also $15, my cheapest ever h.NAOTO piece! 

Metamorphose shirring blouses (black and white) - these blouses have giant goofy Peter Pan collars, which I love for adding some exaggerated cuteness to elegant outfits. 

Moitie cross lace pin tuck blouse - another blouse I'm guilty of wearing constantly, love the short Michelin Man sleeves.


Wet Seal Vest - a thrifted piece I spruced up with corseting on the back and a replacement button. 

Free People eyelet blouse - another thrift find with insane sleeves that gets a ton of love! 

Velvet blazer - Thrifted, I believe Ann Taylor? I love the shape and the buttons! 

Bottoms/Dresses 

Good Luck JSK - My most precious piece of tacky Old School history, this baby is a whole lot of polyester, heinously short, and cost me a whole $7 (technically, $11 after shopping service fees) on Mercari JP. While not technically aristo, it reminds me so much of older Mana looks! 

Thrifted corset hem skirt - I spotted the stunning corset gore detail on a rack in my local Goodwill, and the rest is history. I recently had to fix the waist, but now she's good to go! This skirt is the perfect maxi length on me. 

Drug Honey skirt - another cheap Mercari JP find, I ALSO had to fix the elastic waist on this one. 

Thrifted black velvet dress - a soft, cozy, ultra-flattering velvet maxi dress, Union made from the 1980's. 

American Eagle black skinny jeans - my singular pair of pants. I don't wear them often, but they're great for doing a sort of historical dandy inspired outfit via tucking them into tall boots and adding a vest and blouse. 

Accessories 

I can't even list them all here, but I have an array of earrings, necklaces, brooches, rosaries, and bracelets, most notably a selection of Moitie jewelry. I also own an Antique Beast headpiece, a Marble headpiece, and a pair of true antique gloves from the 1940's to add extra interest. 

Pieces I've Purchased 

I have an open Neokyo order, so I've added three new pieces to my wardrobe: a long h.NAOTO Blood JSK, a Maxicimam corset belt, and a black pointed collar blouse from BPN with a cross motif. These are coming in the mail in the next month! 

Isn't she a beaut? I love the smooth long lines of the front seams

Pieces I Want To Add

As you can tell from that huge non-exhaustive list of things I own, I basically have everything covered. There are just a few things that I think would make this capsule more complete, that I'm hoping to thrift or pick up online:

A black long-sleeved blouse - preferably with a standing collar or a pussy-bow collar, bonus for huge blousy sleeves. 

A long black duster coat - in a textured fabric like fur, velvet, brocade, or wool, if I can find it. 

A black pair of granny boots - I have a brown pair I love dearly and wear often, but I sometimes feel like the dark brown with a fully black outfit ruins the vibe. 

A black purse - same issue as above. I have a brown satchel purse my fiancĂ© bought me that I love, but sometimes a black one would just look better. 

A long h.Naoto Blood skirt - there's one I have my eye on, for about $40 USD. If it's still available later this month, I'm hoping to snag it before I close my shopping service order. 

I'm not in a huge rush to find any of this, as I have pieces that work for now! This is more just a thrift wishlist for me, or things I'm keeping an eye out for. 

Pieces I Want to Make 

I'm currently working on a white jabot, as well as a crocheted lace round headdress/canotier. I've made a few glasses chains to add some interest to my frames, but I'm hoping to make a few more! I'd also love to make a shawl or scarf, as it gets colder and colder here. 

How Can You Add Aristocrat Inspo? 

As you can probably tell from my loooong list of wardrobe pieces I already own, if you have an eccentric and J-fashion inclined wardrobe, you really don't need to buy anything to add some EGA inspiration to an outfit. I think there are some really simple ways you can add aristocrat flair to your styling, though I'm certainly not the authority. 

Add a vest - channel the 13-year old Black Butler fan lurking within your soul and put a vest over your blouse! 

Lower the hemline - longer skirts are a mainstay of aristocrat coordinates, but (controversial opinion in the year of baggy pants, I know) I think skinny pants tucked into tall boots always gives off a sort of princely feeling. Short skirts can also totally work, though!! I think it's just a matter of balancing more modern elements with historical/gothic ones. 

Try a choker - you see a lot more square necks in EGA than EGL (not to say they're absent in EGL), which gives you more opportunities for cool necklaces! I personally have a velvet Moitie choker I love, but I know Wunderwelt have a ton of Alchemy Gothic pieces right now (for some reason) at great secondhand prices. 

Brooches and corsages - what says "gothic vampire noble" like a burgundy rose brooch, or a black feathered fascinator in your hair? I'm thinking about maybe making some burgundy velvet ribbon roses to create a brooch for myself. Just adding a cameo to your jacket can be a perfect finishing touch! 

Ditch the mary janes - I live in my Doc Marten mary janes, but granny boots are my absolute favorites for Victorian-inspired outfits! 

Scarves and rings - you can wear them separately, of course, but you can also make a scarf into a faux-jabot by using a decorative ring as a toggle! It's a brooch and jabot all in one. 

Look in unexpected places - the 1970's had a medieval revival, which drew not from true medieval fashion, but from the Victorian reimagining of medieval fashion (everything wrong with archaeology is, unfortunately, mostly the fault of the Victorians). If you have any 1970's-inspired pieces in your wardrobe, throw them into the mix and see what happens! 70's medieval revival is also a great movement to look to for general inspiration. 

Inspiration 

Join me and my friends in what I am calling "Bara no Konrei Fall/Winter!" Below is a huge list of albums, movies, books, and photos to help inspire you and set the mood for the season. 

Music 

Rasputina

Emilie Autumn

Malice Mizer

Versailles 

Femme Fatale 

Gpkism

The Damned (specifically the album Phantasmagoria) 

Birdeatsbaby/Mishkin Fitzgerald 

Disjecta Membra

Altar de Fey

Books 

Godchild - Kaori Yuki 

Ludwig Revolution - Kaori Yuki 

Black Butler - Yana Toboso 

White as Snow - Tanith Lee 

Drink to Me Only With Labyrinthine Eyes - Thomas Ligotti 

The Bloody Chamber - Angela Carter 

Tales of Pain and Wonder - Caitlin R. Kiernan

Movies 

The Company of Wolves

Valerie and Her Week of Wonders

The Creeping Flesh 

Lust For a Vampire 

Fright Night 

Only Lovers Left Alive 

The Hunger 

Vampyros Lesbos 

The Blood on Satan's Claw 

Bara no Konrei (yes, it's kinda bad. Yes, it has to be here) 

Art and Coordinates 

Medieval revival girls, 1960's/70's, unknown origin

Malice Mizer on the cover of Bara no Konrei (2001) 

Gothic and Lolita Bible

Ludwig Revolution, Kaori Yuki

Gothic and Lolita Bible 

Kamijo, Versailles-era visuals 

Godchild, Kaori Yuki

Gothic and Lolita Bible 

Mitsukazu Mihara, Doukuhime

Gothic and Lolita Bible


This is what's trending in my world right now! If you'd like, please leave a comment and let me know if you have more inspiration, or what's inspiring you at the moment!