Monday, February 10, 2025

Tag: Get To Know My Blog

 I was tagged by my dear friend Mika (cashmerecrypt) in this post, and I am DELIGHTED that these tag posts are coming back!!! I was around for the DeviantArt and blog memes (remember when "meme" was used to mean written tag posts almost exclusively?), but was too young to actually participate. This is just another part of our small friend group's quest to bring back early 2000's visual kei internet, and I for one love it so much. 

Why did you start blogging in the first place?

I started blogging so that I had a place to put all my thoughts! I am very "academic brained" after four years of English major media analysis, and I was lamenting that I no longer had a reason to write essays. Having a blog lets me do media analysis in a more casual way, and share my hobbies and photos! I don't love social media, but I do love having my own little space on the internet. 

What platform are you using to manage your blog and why did you choose it?

I use Blogger! I wanted to try Neocities, but after learning some rudimentary HTML and giving it my best shot, I realized I probably should just switch to a pre-made platform. I would still love to create a Neocities site in the future, though! 

Have you blogged on other platforms before?

I had a Tumblr, though I'm unsure if that counts? I used Wordpress for a college class where my professor had us writing book reviews in a blog-style format, so needless to say, that kind of put me off of Wordpress lol. I'm not a tech person, so Blogger is fine for me! It does exactly what it needs to do. 

How do you write your posts? For example, in a local editing tool, or in a panel/dashboard that’s part of your blog?

I use the Blogger post thing, which is so incredibly annoying to use via phone. 

When do you feel most inspired to write?

There's zero rhyme or reason to it, sometimes I go a month without wanting to and then make three posts in as many days. 

Do you publish immediately after writing, or do you let it simmer a bit as a draft?

Again, zero rhyme or reason. It happens how it happens! My writing for work is so regimented, my blog is a place for me to do the exact opposite. 

What’s your favourite post on your blog?

Probably my media analyses, my first post ever was on Godchild/The Cain Saga and I had a lot of fun with it! I'd like to do some better and more in-depth ones in the future, I feel like the media posts I have up now aren't particularly insightful and sort of just a way to get my thoughts down. 

Any future plans for your blog? Maybe a redesign, a move to another platform, or adding a new feature?

MORE OUTFIT POSTS, FOR THE LOVE OF GOD. I constantly forget to take outfit photos! I'd also like to do better, more in-depth media analyses, but also more low-effort fun posts like inspiration photo dumps. 

I don't have anyone to tag, but PLEASE do this too and tag me in it! 

What Have I Worn Lately?

 I'm absolutely horrible about remembering to take outfit photos, but here are a few mirror shots of some outfits from the last month or two! Sorry for my makeup products in some shots; I don't have a vanity or dedicated space to do my makeup, so I do it sitting on the floor and store my products in a bin. They inevitably end up strewn around, though. 

We live in a beautiful and very small house, so the room where I get ready is also my sewing room, my work from home office, and my fiancé's music/recording room. We just finally accepted that we weren't using it as a dining room, so we cleared the dining set out to make it easier for it to do triple duty! 

I wore this to stay in on a Saturday and play Corpse Party on my Switch (Yuuya Kizami is my favorite character, I'm not taking any criticism and you can't change my mind). 

Slip, cardigan: thrifted 

Turtleneck: Everlane

Belt: hand-me-down from my grandma 

Other accessories: Metamorphose, Vivienne Westwood, Hot Topic, Thrifted, Moitie 

This was an outfit to help my fiancé's band load their van and set up the merch table pre-show. I planned to stay for the show, but the venue was FREEZING, so I went home and ate the long chicken Burger King sandwich with my cats. I can die happy now that I have a velvet Baby skirt. 

Top, vest: thrifted 

Skirt: Baby, The Stars Shine Bright

Accessories/tights: Vivienne Westwood, handmade, Hot Topic, Target 

I wore this to get tea and spend time with Mika and Sierra a few Sundays ago. The weather was beautiful, we had a delicious high tea, looked through the book Japanese Schoolgirl Inferno, and watched the new Madman's Esprit video together after taking some photos. 

Blazer: thrifted and customized 

Skirt: handmade 

Necklace, blouse, socks: Metamorphose 

Headdress: BtSSB

Jewelry: Moitie, vintage 

Purse: Moitie 

Shoes: Yosuke

I wore this on a date to the mall with my fiancé, we wanted to play mini golf and weirdly one of the only indoor mini golf places around is in a mall? It was really cool to see the mall thriving though, turns out they have a trading card market on Saturdays! 

Top: h.NAOTO Blood 

Skirt: Marble 

Choker, headband: handmade 

Jewelry: Vivienne Westwood, Malice Mizer merch, Hot Topic, Moitie 

Legwear: Metamorphose, Target

Shoes: Angelic Imprint 

I wore this to go to Barnes and Noble solo one Sunday, I just needed to get out of the house. I ended up buying the short story collection 50 Beasts to Break Your Heart by Gennarose Nethercott, I can't recommend that book enough if you're a fan of magical realism! 

Blouse: Black Peace Now 
Cardigan: h.NAOTO Frill 
Skirt: Emily Temple Cute (altered from a JSK into a skirt by me) 
Legwear: Meta, unknown offbrand tights 
Headband: handmade 
Jewelry: Vivienne Westwood, Moitie, Malice Mizer merch 

Rats all, folks! I'm really going to try to get better at taking coord photos this year. Even though I don't wear full lolita coordinates every day, I do mix my pieces into my casual wardrobe on most days, which results in a lot of cool outfits. 

Sunday, February 9, 2025

Complicating the Hypothetical

 I'm recently obsessed with Bliss Foster. 

Funnily enough, I accidentally started watching his YouTube channel in tandem with my dear friend Mika, maybe a week after they started watching his content. It's been so fun to discuss his work with someone who ALSO loves fashion and sewing!

Bliss has a million incredible videos, and I highly recommend all of them, but I want to talk about his video on personal style and how his thesis on high fashion can translate to the subcultural fashion I love. 

Breaking this post up with a few of my favorite street snaps, since it's so text-heavy! 

On the outside looking in, I've been told my style looks extremely unique - and in a way, it is. The fact of the matter, though, is that very little about the way I dress is solely unique to me. The way I style things might be a little different from my source material, but I'm always referring to eras and movements that I find inspiring. I'm a Xerox of a Xerox with a pair of funky earrings added on top, and that is 100% ok with me.

In Bliss's video on personal style, he talks about the "shock of recognition" in fashion. "Shock of recognition" refers to the moment when you find a bit of yourself in a piece of art, and deepen your connection to it through feeling seen and understood. In fashion as a medium, this phenomena works differently. Fashion designers build worlds and profiles of hypothetical people, in order to draw in the customers who see a bit of themselves in these hypotheticals. However, with fashion being a wearable medium, Bliss argues that the shock of recognition in fashion comes not from seeing a bit of yourself in the clothing, but from looking in the mirror and seeing a bit of someone else within you. When you wear these clothes, you complicate the hypothetical worldbuilding the designer did simply by being yourself and living life. Fashion is an inherently collaborative medium, and simply wearing your clothing is a way to collaborate with this designer and their world. 

Putting this in the context of lolita and Japanese street fashions is fairly easy, given that every brand is very open about their worldbuilding. Moitie is an abandoned castle decorated with candelabras and dried roses, Baby is a tea party held in an enchanted garden. Juliette et Justine is that terrifying 1960's adaptation of Alice in Wonderland with the taxidermic animals. 

Lolita brands present briefs of their ideal customers: the visual kei bangya who loves vampires, the maiden transported to a modern world, the eccentric Victorian woman - and we connect with certain brands more than others because those briefs speak to us. A lot of this calls to mind the "pure maiden" lifestyle lolita that was mythologized and popularized on LiveJournal in the early 2000's. She was beautiful, composed, drank tea, embroidered, didn't watch TV and always minded her manners. She always wore coordinates perfectly, never laughed too loudly, and projected a mysterious aura. These are all ideas of a person that can help give shape to clothing collections, but who doesn't exist in real life. 

This is where the complication of the hypothetical comes into play. None of us are the hypothetical perfect person for a brand, but these briefs resonate with a small part of us. Brands like Victorian Maiden and Moitie resonate with me because they combine Gothic motifs with whimsy and softness, but I am not a waifish Gothic Victorian with a collection of hair lockets. We complicate the narratives these brands build by wearing their clothes, and that is how you create personal style within established subcultures. Your clothes are unique because you're the one wearing them, not because they are unique to your closet exclusively. Your style is unique because it is on your body, worn with your accessories that you chose, and worn in a way that is comfortable for you.


Clothing as an art form is perfected by interacting with it in life. The art is not finished when the garment is finished, it is finished when the audience wears it into the world. When you buy a piece, whether you're the first owner or the fifth, you are contributing to that garment's shared history. You are now one of the many people who touched it, gave it purpose, and loved it, from the designer to the seamstress to you. You are seeing parts of others reflected back at you, and that's a really important and special thing. Fashion is a collaborative and community-based medium, and I hope it makes you feel less isolated and alone. I hope you can look at these garments and see parts of others within them. I hope you see yourself, too. 

Go out and complicate that hypothetical. 

Friday, January 31, 2025

Wardrobe Board 2025 + EGL Fashion Goals

 Long time no online rambling! 

I've done with this blog what I do with a lot of my writing hobbies, which is to say that I hold myself to a standard that becomes unsustainable for me. Namely, I was trying to hold off on making a new post until I take more outfit photos, but I NEVER remember to photograph my outfits when I'm not with my friends. So, I decided we're just not doing outfit posts regularly lol.

My personal computer broke around November last year, which makes Blogger a little hard to operate. It isn't a platform that's super conducive to a mobile format, which is a feature I enjoy, but makes it a little hard to write posts and format photos when I'm doing it all on my phone. For this reason, I actually decided not to do a "traditional" January EGL wardrobe post this year and instead to do a Pinterest board! If you'd like to see my wardrobe, you can view it here (I have a mixture of stock photos and my own photos). 

The other reason I opted not to do a static wardrobe post is that I've had a few minor stylistic changes within lolita, and I'm moving some things around. I'm wanting to add a few Atelier Pierrot aristo pieces to my closet, as well as some more Gothic pieces, which might necessitate selling a few things. I like the flexibility of being able to add pieces and archive sold pieces, so a Pinterest wardrobe seemed like the way to go. 

All of this is a nice transition into the fun part of this post, which is: my goals for my closet this coming year!

 I am very much in the camp of "lolita is equal parts collector's hobby and fashion," and part of the fun for me is the thrill of the hunt! I love tracking down older pieces and cleaning/mending them. However, my first resolution is actually more about enjoying what I have! 

1. Buy less, coord more 

I am a clotheshorse, and the only thing that keeps me from reaching hoarder levels in our little house is clever storage. I have 15 main pieces (with two more skirts on the way), and while that isn't even close to some people's collections, that is a gargantuan amount of garments to wear regularly. That doesn't even count my "normie" skirts and dresses, either! I have a really impressive and beautiful wardrobe that I am so lucky to own, and I definitely favor certain pieces over others, so I'd like to challenge myself to wear every single piece (and let go of the ones that don't get a ton of wear) before repeating my staple favorites.

2. Purchase basics 

Contradictory to the above, I know. I, as most of us do, tend to favor main pieces over basics when making purchases. That ends this year! I have a short list of basics that my wardrobe could really benefit from, which is: 

  • A black full bonnet (I have my eye on a secondhand Moitie one)  
  • Stand collar blouse in black  
  • A black jabot (ideally the Sheglit Ulysses one) 
  • Black lace gloves 
  • Black lace arm covers
  • A corset finishing belt with actual boning
I've made three purchases this January that do NOT adhere to this list, because I'm incorrigible and they were fantastic prices. I snagged: 

Innocent World Musette Bustier (2011) in Black, $38 
Baby, The Stars Shine Bright Velour Skirt (2006) in Wine, $60 (missing suspender straps) 

 Bodyline Tiered Floral Skirt with Cameo Bow (2010) in Black, $22 (missing bow) 

It's funny how so many of us are now nostalgic for Bodyline! I think we didn't realize how good we had it until they closed, haha. 
The goal is for these pieces to be the last main pieces I purchase for the year, with the exception of specific wishlist items (if one magically pops up). The idea behind buying some of those "basics" listed above is that they'll add even more versatility into my closet, and open up a lot more coordinating options for my current wardrobe. 

3. Wear my clothes more 
As I write this, I am at my desk wearing athletic leggings and my massive striped "around the house" cardigan. I work from home, and I often find that my motivation to get dressed is negatively correlated to how busy we are. As in, as soon as I'm on more than one project at a time, I stop bothering to get dressed in actual clothing. This usually means that the only times I wear "real" clothes is on the weekends, or if I'm meeting a friend after work. It makes me feel schlubby and unmotivated, and makes working from home that much more boring. 

I'd really like to try to establish a good morning routine this year (maybe even hitting the gym in the morning instead of at night, but I don't want to get too ambitious) and at least make an effort to put on real pants every day. I think it'll improve my work productivity, as well as my life in general! 

4. Do more sewing (that isn't just skirts) 
I'm so guilty of making skirts because they're fun, simple, and easy. I've been sewing for about 12 years, so suffice it to say, I've made enough skirts haha. I really enjoyed making some GLB patterns last year, and I'd like to try a few more from my collection. I also want to try to recreate this Victorian Maiden blouse in cotton gauze, because it looks incredibly simple and is (unfortunately) made of polyester. 
5. Spend time with my loved ones
Self-explanatory, I have amazing friends/family/an incredible fiancé,and I love hanging out with them in fun outfits. Looking forward to doing a lot more of that this year! 











Thursday, December 19, 2024

Opinion: The Concrit Problem in EGL

 Alternately, this post could be called "2010's sweet and its consequences." 

I wear (primarily) Old School Lolita, but I didn't always. When I started buying and wearing lolita for myself, I kind of felt like you absolutely had to buy printed dresses and build your coords with colors pulled from prints, which was... not true, very silly, and ended with me feeling uncomfortable and stepping away from the fashion for a bit. Those pieces are now sold, but the coord photos in my phone haunt me. 

This was actually the photo that inspired my recent choppy brown haircut! 

I got into Old School mostly because I was influenced by a friend (whose site I will link here) who was also effectively starting over in EGL at the time. I think it's a style that's a lot more comfortable for daily wear, and also is more in line with what made me fall in love with the fashion over a decade ago: black and white, simple patterns, clunky shoes, too much lace, and a general sort of frumpy/disheveled look. I'm extremely interested in fashion history and print media, so I was already collecting old GLBs and street snap magazines. It felt like a very natural transition! 

My first time trying semi-Old School styling in October last year, I sold that Baby cutsew because it was tight but I kind of regret it tbh 

"Old School" in lolita fashion typically refers to the time period between 2000 and 2008 (roughly), with a lot of coords from the 90's being referred to as "proto lolita." Cynical Neo Princessism (Ophelia, every Old Schooler's idol) has an incredible and well-researched timeline of lolita fashion, linked here, that gives a more complete idea of this time period. But this all brings me to what I wanted to talk about today: 2010's sweet lolita, and how it basically ruined concrit culture. 

Old School coords from the Phaidon book Fresh Fruits (photo originally in Fruits magazine by Shoichi Aoki)

2010's sweet refers to the era when brands started releasing printed dresses, specifically dresses with original art as border prints. Angelic Pretty, a brand that pre-2010 was often doing a lot of the same florals and solid colored pieces as Baby or Meta, became the "pastel unicorn explosion" brand. Prints like Sugary Carnival and Milky Planet are synonymous with this era, and also helped brands effectively copyright their designs (something very tricky to do in fashion). You can't slap a copyright on a dress cut, but you can pretty reliably copyright art prints in a fabric (though unfortunately, I feel like replicas were even more common during this era). 

Photo of a 2010's sweet coord from Japan Fashion Now 

This was also when the "rules" in the Western lolita comm were more firmly cemented (not to say they didn't exist before): your coord needed to consist of wrist cuffs, a printed JSK, a blouse that matches a color in the print, a headpiece, matching OTKs, the biggest petticoat you can find, at least one piece of matching jewelry, and tea party shoes. If you didn't have all of those elements, whoops, go back and try again, do not pass go, do not collect $200. These "rules" were disseminated mostly to stop EGL from getting lost in the melting pot of Hot Topic-driven subcultural soup that was 2000's alt fashion, and to help newer people learn to coordinate as lolita became more popular, but they persist today (sometimes to the detriment of the community). 

Because the pendulum always swings back eventually, we're definitely seeing Old School styling have its "boom" again (or at least becoming more popular). However, I think this is leading to a weird issue: concrit given on Old School coordinates is just not helpful or effective. Our community got so used to the 2010's coord building "rules" that when an Old School coord is posted in spaces that offer concrit, the poster gets 2010's sweet-centric advice. Those suggestions might be great for someone who is actively wearing 2010's sweet, but a lot of them just don't hold water for Old School coords. 

The most common one I see is shoe-based; a lot of 2010's sweet coords emphasized owning tea parties in every color way, usually contrasting the socks but matching with a color in the dress. Old School styling definitely has a more "make do" attitude towards shoes, and a lot of the time, shoes will blend in with the color of the legwear! 

Sometimes, though, shoes will contrast with the legwear in a way that isn't cohesive with the rest of the coord, like brown or black shoes in a sweet coord with no other browns or blacks.

I also see concrit given based on accessories, mostly wrist cuffs. While they did absolutely exist, wrist cuffs weren't as ''mandatory" as they are now, and could easily be swapped for a bracelet (as opposed to worn WITH multiple bracelets). Accessorizing was usually simpler, and sometimes headdresses were even forsaken in favor of a simple hairstyle. 

I don't want this post to come off as if Old School styling is beyond concrit, because it absolutely isn't. Concrit has helped me so much in terms of stylistic growth, and to be honest, sometimes we all need a friend to say "hey, I know what you're going for, but this part isn't working." I think it's important that, when you're giving Old School concrit, you're at least familiar with the era. I'm actually going to use a coord of mine from July of this year as an example, because I don't want to give concrit on a totally random person.

Overall, this wasn't a bad coord at all, and I do like it. I just wore it to a wrestling show, so it's not like I was going to a lolita-centric event. Looking back on it, however, I have some things I'd want to change. If I were to give Old School-centric concrit to myself on this coord (assuming I was talking to someone else and this wasn't a photo of me haha) I would say: 

"I like the blouse and headpiece with the JSK, but the socks and wrist cuffs feel out of place. I would swap the striped socks for something like Meta's black and white raschel lace OTKs, because the stripes make the coord feel very sweet. You could try white peeking bloomers with this too, since the black blends in to your JSK. I might also switch out the tulle Moitie wrist cuffs for plain black or plain white, maybe in a cotton lace? The boots are cute, but I'd also like to see this coord with black mary janes or RHS too!"

 I typically do the compliment sandwich method, or at least begin with a compliment and then a nicely worded suggestion, which is what I learned to do in college writing classes. 

The goal of concrit should not be to insult someone, tear them down, or totally remake their coord; you're simply making suggestions on how they could style differently or change an aspect of their coordinate to better achieve THEIR desired look. You're not giving concrit based on your style, you're giving concrit to help them achieve the best version of their style, which I personally believe makes "rules"-centered concrit ineffective. It can also stifle creativity and discourage experimentation if everyone gives the exact same advice. The best way to find your style within lolita is to mess around with your wardrobe and figure out what makes you feel comfortable, and it's hard to do that when you feel like every outfit has to check boxes! 

These are your clothes, and not every outfit you wear is going to be the most groundbreaking and perfect lolita coordinate ever. Just like any other style, you're going to have days where you can't make it work, and times when you wear something questionable and wonder what the hell you were thinking when you see photos of yourself later. For example: it was summer, but WHY did I wear UTKs with such a short skirt? It just looks so odd! Put those knees away! (No, I still haven't repaired the worn-out back elastics in that dress, I've just been lacing it tighter to prevent The Wrinkles that you see in this pic).

Your clothes are meant to be worn, and you should wear them how you feel comfortable. You can 100% wear lolita clothes without trying to build a lolita coord or calling it lolita fashion, which can be a very fun and freeing way to experiment with your style. You don't have to put yourself into the lolita box all the time, you are not the sole representative of how to wear EGL and you don't owe anyone a perfect representation 24/7. Have fun expressing yourself, don't be afraid to ask for concrit and advice, and be respectful when you give said concrit. 

Also, most importantly: don't ever show your kneecaps. Ever.  

(Your kneecaps are fine, that was a joke, Misako is not coming for you). 

Review: Shiki and the Horror of Small Towns

It ended, as all good stories and kept secrets do, with a fire.


  The 2010's anime Shiki proves that, no matter where you are in the world, small towns are (mostly) the same; despite being set in rural Japan, the village of Sotoba could be exchanged for any number of rural towns across America. There's a hospital, a local farming industry, gossiping old people, and not much else. 

Except for the vampires. Those are there, too. 

I just finished a rewatch of the series after trawling the internet for it (I originally watched it on Hulu, but it's been taken down from all streaming services), and I wanted to take another look at the morality and horror of Shiki. In a way, I would consider this series a better take on 'Salem's Lot by Stephen King; I think it does the "isolated village infested with vampires" thing in a more interesting way, by playing up the horror of humanity more so than the supernatural. I also think Shiki does a good job of not spoon feeding morality, and gives you reasons to sympathize with every character (human or otherwise).

Sotoba is a small farming village, and its main industry is growing the trees that become grave markers. When a new family moves in to the English-style manor above the town, villagers start dropping like flies from an epidemic nobody can identify (spoiler: it's vampires). But the most terrifying aspect of Shiki is not the fanged creatures that lurk in the darkness; the true horror comes from the maelstrom of tradition, insularity, superstition and guilt that haunts every small community.

In Shiki, the vampires very clearly represent a cultural Other to the citizens of Sotoba. The Kirishiki family wears flashy clothes, live in an ostentatious house, and ignore the traditions of the village. This introduces us to the fragile ideal of normality in Sotoba. Once their way of life is even slightly disrupted by something culturally abnormal, the villagers see a slippery slope and grab a sled. This story is very similar to my other favorite novel-turned-anime, Another by Yukito Ayatsuji. Both series operate on subverting the Japanese cultural ideal of the group being more powerful than the individual, showing how quickly following the will of the group can turn nasty, exclusionary, and even violent. 

Toshio, the village doctor, calls to mind a slightly more purposeful Light Yagami. Given the task of carrying on his family name and becoming a doctor, and constantly watched over by his domineering mother (even as a grown man), Toshio is under so much pressure that the discovery of the nominal shiki (literally "corpse demon") in Sotoba is all it takes to send him fully over the edge. Early in the series we see him in furious denial as his childhood friend, the junior monk/author Seishin who has befriended the vampire Sunako Kirishiki, warns him that death records are being tampered with. However, as soon as Toshio's estranged wife rises as a shiki, he wastes no time experimenting on (and eventually killing) her. Now fully convinced, Toshio fans the flames of hysteria in the village, killing Chizuru Kirishiki in front of the villagers to prove the existence of shiki and encouraging a mass slaughter that (surprise) gets completely out of hand. 

In my mind, if there really is a villain in this series, it's Toshio. A key aspect of the story is choice and intent; Seishin feels trapped in his role as a monk, Toshio feels trapped in his role as a doctor, the shiki are forced to drink blood, everyone is stuck in a small town with no economic hopes of getting out. One point emphasized over and over is that killing is only murder if there is intent behind it, something that Sunako Kirishiki agonizes over when reflecting on the human lives she has taken in order to live. 

This is all to say that, despite these obligations, everyone in the series has the ability to make their own choices. Almost every single choice Toshio makes is needlessly violent, cruel, and destructive, from experimenting on his undead wife, to her eventual murder, to masterminding the slaughter of innocent villagers. His intent was behind every single one is these actions, but he acts morally justified even as he and some survivors drive off into the night at the end of the series. 

On the topic of choice, we see vampires who abstain from drinking blood even as it slowly kills them, humans siding with the vampires, and both being called traitors to their respective causes. It's essentially an exaggerated version of the "us vs. them" politics we see in real-life small towns, where you're expected to keep to your own kind and shamed for breaking the mold. Toshio says the quiet part out loud and incites violence against the shiki, urging the townsfolk to drive them out. This culminates in one of the first shiki to be turned, a girl named Megumi, begging the townspeople to remember who she was and let her go so she can see the big city... as they bludgeon her and eventually crush her skull with a tractor. It's a harrowing moment that, if you were still siding with the townspeople, really makes you question your allegiance to the human race. 

The shiki's ultimate goal is to turn Sotoba into a town full of the undead, but not for nefarious purposes. Over and over, the original vampires of the Kirishiki family state that they just want a place where they can be normal. Chizuru talks about wanting to go out shopping and talk with friends, and the newly-turned shiki enjoy things like mundane office culture or idle chats in the street. Two undead teenagers congratulate an older woman on her husband "rising" to join her, saying how happy they are for the couple as they move to sink their teeth into a human's neck. Sunako Kirishiki recounts her life as a vampire, and cries over her desire to live and be a normal young girl as the townspeople ransack her home. 

Shiki turns monsters into humans, and makes its human characters into monsters. It turns a small town that is figuratively cut off from the world into one that is literally cut off and cannot be escaped. It explores the horror of boundaries, guilt, and isolation by using vampires as kindling to fan the simmering flames of resentment and doubt. It's a truly fantastic anime that has basically been scrubbed from the annals of 2010's anime history, remembered only by those who watched it and those who can dredge it up from the bowels of the internet.

 I'm not advocating for piracy, but I am saying that it's available on YouTube as of now, and you can get through the whole series in about three days. The manga can also be read online, wherever you read your manga scan-lations, and the art is that much creepier when rendered in black and white. Whichever medium you choose, I really hope you enjoy it. 

Monday, December 16, 2024

Outfits: Fresh (h.NAOTO) Blood

 If you read my last post, you probably saw that I purchased a long h.NAOTO Blood JSK. Well, it arrived! I shipped a few items from my Neokyo storage, because I had some Christmas presents that I wanted to get shipped and wrapped while I wait for the rest of my order to arrive, and I threw this in to the package as well. 

When it arrived, I noticed two things: it looked fairly small, AND... I could finally read the text printed on the side insert under the sheer panel. 

It's erotica. It is quite literally old-timey erotica. 

I'm not upset at it, really just surprised. I also have a reputation for being a little bit of a prude, so I think it's funny that I ended up with the one-of-a-kind atelier pornography dress. My friends and I all got a good laugh out of it, and the semi-sheer fabric over top makes it so that you can't exactly read what it says (so I won't be scandalizing passers-by). Let this be a lesson to you: next time you're purchasing h.NAOTO, make sure to maybe ask the seller for more print photos so you don't get punked by Secret Bodice Ripper Content.

I was also worried it wasn't going to fit, but another surprise: it fits like a glove! I was shocked at how flattering it is, and that the seams weren't pulling. I turned it inside-out to include some construction photos, because the way this garment is put together is really astounding! The seams are all bias taped with a stiff material, so it almost acts like featherweight boning to give the dress structure. Most of the garment is made out of a thick cotton blend, almost like a suiting material, while the printed insert is a layer of very soft cotton, covered by a semi-opaque mesh and inserted like a gore. As you can see, it has an all-in-one facing around the neck and armholes, with a back zipper and two darts (on in the front and one in the back, both at the waist) to give it shape.  

I was so excited to wear this, I actually put together an outfit with it the next day! I almost wanted to "save" it for an occasion, but what good are clothes if you don't wear them? I paired it with an insanely cool vintage blouse I thrifted, my Vivienne Westwood orb necklace (also a recent purchase), vintage Tattoo platform loafers, and my antique opera ring. 

This is one of my favorite outfits I've worn recently, and it sucks that I only got a mirror photo of it! I also think this outfit could have really benefited from a black beret, I'm not quite sure why I didn't wear mine? I'd like to maybe try styling this blouse and dress together again with a different hairstyle or hair accessories, to give it a little more impact. I also have a 1980's black lace blouse with big crazy sleeves that I'm dying to try with this dress! 

I'm hoping to get better about properly photographing my outfits, but it's a hard habit to get into! So, mirror pictures may have to suffice.